"I read some artists' descriptions of what they do and find I cannot understand their artspeak. Whatever are they talking about? Certainly their words often seem to bear little relationship to their actual artwork. I hope therefore that my pictures speak for themselves, as painting is, after all, a visual language."
Art colleges: The South-West Essex Technical College and School of Art, Walthamstow, East London, and the Royal College of Art.
I never considered any career other than being a painter, though I earned a living teaching art, briefly in Peckam, then for many years in Hackney, and then for some years in Hastings, East Sussex. Afterwards I taught adult classes for the University of Sussex at the Booth Museum in Brighton. Having taught for some years occasionally for the Barber Art Gallery Education Department Birmingham University,the City Museum and Art Gallery Birmingham, and English Heritage, I now teach regularly for Ludlow Museum Resource Centre.
I became fascinated by natural history as a child and it became a lifelong interest, influencing my work in many ways.
In my childhood it was much easier to find hawk moths and interesting caterpillars in outer London boroughs than it is now. The park behind our house had been turned into allotments during the war (before I was born) and for a time after it had been allowed to go wild. Eventually the respectable municipal flower beds took over again but for some years there were many unofficial temporary nature reserves like these all over London.
I bred exotic giant silkmoths after discovering that eggs could be bought from dealers, watched tadpoles develop, and made collections of natural history objects.
The Royal College of Art (RCA) Painting School, when I was there, was across the road from the Natural History Museum in South Kensington, and was directly connected to the Victoria & Albert Museum. We had a private entrance into the museum through one of the college corridors which I used most days, eating in the V & A cafe and looking at favourite artefacts on the way. The RCA owned a studio in Paris and I spent 3 months there. I painted the reflections in the Seine and, back in London, painted the fountain in the college's greenhouse at the top of the Kensington Gore building. Water continues to be another recurring theme in my work.
We've moved several times. While living in Hastings, on the South Coast of England, I began painting beaches, particularly at Eastbourne. However the beach defences were soon renewed with dully uniform breakwaters replacing wonderful weathered ancient beach architecture and, extraordinarily the chalk fossil rocks were buried under shingle. I now go in search of interesting beaches all over Britain. In the same period I painted a series of very detailed large landscape/townscape panoramas of Hastings, and two more of a nearby farm. I painted Victorian houses, and was commissioned to produce large beach scenes for the then new Sea-Life Centre.
One of the big panoramas was purchased for the Hastings Museum and Art Gallery by Hastings Council, with additional funds from the Victoria and Albert Museum.
I painted as well as taught at the Booth Museum in Brighton, at first painting the zoological specimens but then museum specimens of all kinds. Museum artefacts have become another recurring theme. The themes I've mentioned, there are others, tend to merge. I don't make bounderies between them. It's all painting and the painting is more important than categories or genres. I never wanted to be pigeon-holed as a painter, known for concentrating on just one idea.
I've tended to concentrate on oil painting and water colours, though in the past I've also worked in papier mache ( life-sized ship's figure-heads) and clay. I was commissioned to make a ceramic relief for a factory.
I'm married to the painter Richard Rush (Richard J Rush, RJ Rush), who I met at the RCA, and we now live live on the England, Wales border. We have a son, Max A Rush, who is a landscape photographer and musician and lives in London, he's married and now has twin daughters so we have grandchildren ...
Some years ago I began painting people again.
I continue to be interested in a variety of themes, beaches and rock pools being the starting point for the present works in progress.
I read some artist's descriptions of what they do and find I cannot understand their artspeak. Whatever are they talking about? Certainly their words often seem to bear little relationship to their actual artwork. I hope therefore that my pictures speak for themselves, as painting is, after all, a visual language.
NEW FOR 2015: I have opened an Etsy shop to sell my prints of some of my paintings (look for Angela Gladwell) and also you can find me on Facebook (look for Angela Gladwell Fine Artist painter).